How Suspiria utilizes color, sound, and space in order to skew spectators’ preordained formal vocabulary and create something too enchanting to look away from, yet too terrifying to endure.

Some notes and reflections of photographer Diane Arbus’ work, and the conversations surrounding it in academia.

Theoretical analysis of Banshees of Inisherin and the film-philosophy of David Bordwell.

Comparative short essay on the film theories of Siegfried Kracauer, André Bazin, and Sergei Eisenstein—an exploration of the debates surrounding realism and formalism in film.

A reflection on what Girish Shambu terms a “new cinephilia”, responding to film theory and ontological orthodoxy.